Catering for a variety of learners Essay Example | Topics and Well Written Essays - 500 words

Catering for a variety of learners - Essay Example With the tremendous pace of globalization it is seen that multilingual students exist all over the world and this has created a subject for research. It is believed by many that these multilingual students are at a loss if they do not excel in the primary language which is being used in schools and universities. However this belief is denied by many when it comes to excellence and perfection. This essay would further analyze the works of Cummins and Clarkson in relation to these aspects (Cummins 2006; Clarkson 2006). Multilingual and Bilingual students are able to speak two or more languages which gives them an edge over others who can speak only one language. English is primarily used for educational curriculums and hence these multilingual students are encouraged to excel in that specific language. In many schools English as a language is promoted for these multilingual students whereby their mother language is ignored. The teachers in these schools believe that English as a primary language is more important than other languages when it comes to studies. However this is denied by several researches done by Cummins and Clarkson. It is seen that Cummins in his researches is denying these beliefs and stating that it is necessary for students to learn all the languages and excel in them accordingly. According to his researches it is seen that students who have a grip on different languages are able to build up excellent rational critical techniques (Cummins 1979; Cummins 2006) These techniques he lp them to excel in education and further improve their base. Clarkson affirms this view by researching on Australian Vietnamese students and how their bilinguals help in developing their rationality of mind. Mathematics is a subject of thought and being bilingual helps these students to think even more. The research by Clarkson showed that students who had a grip on many languages showed more positivity when it came to studying mathematics in the

The Impact Of The Norman Conquest English Language Essay

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Film Trailer Portfolio Essay -- Papers

Film Trailer Portfolio When the task of creating a film trailer was first put to us, I had several ideas for the movie's context. The first was of a movie in the action genre that dealt with revenge, whilst the other two were in the horror genre. The horror genre appealed to me more, as a low budget film can still have the desired effect by use of different filming techniques, and I wanted to depend more on a psychological aspect. My first idea was to do a film about a poltergeist. I had watched several films such as "Poltergeist", but wanted to create a film that relied less on visual effects, something that leant towards the style of Albert Hitchcock, who is still seen today as the "Master of Suspense". This Poltergeist idea did intrigue me, but I could not think of a plot thick enough, or original enough to capture an audience. The remaining idea was more original, and would create the correct feel of the horror genre. This idea leant more towards several horror films from the 1970s, when a crop of films also used religious undertones to great effect. My idea was for an ancient relic to be uncovered that posed a threat to religion, an idea that didn't require special effects or large production values. I took this idea and tried to further it by thickening out the plot for the trailer. To do this, I researched other films in the same genre. I looked directly at three films from the last three decades, "The Exorcist", "The Name of the Rose" and "The Sixth Sense". I was first attracted to these films by the techniques that had been used to produce the desired effect on the audience. The Exorcist (William Friedkin 1973) ... ... on a Panasonic Digital Camera, and was edited using Pinnacle Studio software on a PC. All of the footage was shot without the use of a tripod after several experiments to see what presented the storyline the most effectively. Most notably at the beginning of the trailer, a short zoom shot towards a radio speaker was attempted with a tripod, but the elegant and fixed camera movement lacked the character and ambience that was available when recorded handheld, especially with the emotional sound bite that accompanied the shot. I decided to use two different tints Editing during "I dare not say" I wanted the speed of the trailer to change when I was editing, from calm and mellow camera movement with slow transitions, to brisk and abrupt movement with quick transitions. This was my idea of representing chaos.

History of Shakeys Essay

Shakey’s Pizza was founded in Sacramento, California, on April 30, 1954, by Sherwood â€Å"Shakey† Johnson and Ed Plummer. Johnson’s nickname resulted from nerve damage following a bout of malaria suffered during World War II. The parlor opened on the first weekend, but since the pizza ovens were not yet completed, only beer was served and Shakey took the profits from beer sales and bought ingredients for pizza the following Monday. Shakey personally played dixieland jazz piano to entertain patrons. Shakey’s initially became known outside Sacramento, not for its pizza, but for the jazz program it sponsored on a regional radio network. Shakey Johnson is honored in the American Banjo Museum in Oklahoma City, Oklahoma, for his longtime use of banjo music at his pizza parlors. Other live music, including piano, was also a staple in the old Shakey’s parlors. The original store (a remodeled grocery store) at 57th and J Streets in Sacramento remained in bu siness until the mid 1990s. Expansion The second Shakey’s Pizza Parlor opened in Portland, Oregon, in 1956. Shakey’s opened their third parlor in Albany, Oregon, in 1959, which was the first building Shakey’s actually owned and the first building to be built in the distinct building style for which Shakey’s is known. It now operates as a used bookstore. According to Johnson, Shakey’s Pizza engaged in little market research and made most of its decisions on where to locate stores by going where Kinney Shoes opened stores. By the time Johnson sold his interest in 1967, there were 272 Shakey’s Pizza Parlors in the United States. The first international store opened in Winnipeg, Manitoba, Canada, in 1968. By 1975, the company had expanded to the Pacific Rim, including Japan and the Philippines. There are now more branches in the Philippines (then under San Miguel Corporation) than in the United States. Sale to Colorado Milling Shakey Johnson sold his half of the company for $3 million to Colorado Milling and Elevator in 1967, which acquired Plummer’s half for $9 million the next year. Second sale Shakey’s was again sold, this time to Hunt International Resources in 1974. Two franchisees bought the chain in 1984 and they sold out to Inno-Pacific Holdings of Singapore in 1989. Most of the U. S. stores closed during the time Inno-Pacific owned the chain. Some of the remaining franchisees took Inno-Pacific to court in 2003. Before this could come to trial, Shakey’s was sold to Jacmar Companies of Alhambra, California, in 2004. Jacmar had been the franchisee of 19 Shakey’s restaurants. At the time Hunt International bought Shakey’s in 1974, the restaurant chain had approximately 500 stores throughout the United States, including a store as far east as Cockeysville, Maryland. As of 2008, there were 63 stores total, with 55 of them in California. As of June 4, 2011, there are 58 Shakey’s restaurants in the US. 51 are located in California, the remainder are located in Auburn, Alabama; Nogales, Arizona; Warner Robins, Georgia; Waipahu, Hawaii; American Fork, Utah; Renton, Washington; and Spokane, Washington. Shakey’s has begun to open new franchises in new and existing territories. The most recent Shakey’s opened was in American Fork, Utah, with a buffet available open to close. Shakey’s in Iowa, Illinois and Northwest Indiana also featured an all day buffet in the 80’s. Other locations typically offer a weekday lunchtime buffet only.

The Impact of Rennie Harris

Katherine Baker Dance Appreciation (Online) 27 April 2011 The Impact of Rennie Harris When one imagines the dance style of Hip-Hop, what most likely comes to mind is either a group of young men and women gathered in an alley, forming a circle and watching someone move their body to the beats of fast spoken rap lyrics, or one might envision the scenes of a 50 Cent music video with young women shaking their derriere in the camera. Rennie Harris, known by many as the ambassador of hip-hop community brings something very different to the table. Rennie Harris is more than a hip-hop artist.He is the interpreter of hip-hop as a cultural ritual, one that celebrates his community’s core values and heritage, and invokes its innate spirit, says scholar and dance critic Suzanne Carbonneau. In 1992 Harris founded Rennie Harris Puremovement, in his hometown of Philadelphia. Harris uses his style, referred to on RHPM’s website asâ€Å"hip-hop dance theatre,† to be an activist i n the community and promote dance, particularly hip-hop, to all ethnicities as an outlet for human expression, attempting to cleanse the genre of its stigma in todays society.One thing that is truly impressive of Harris’ work is that he has created, perfected, and maintained a style, that continues to rise above the negative stereotype hip-hop is sometimes painted with in the media. In doing this he is maintaining the sophistication of the art of dance. As mentioned on his organization’s website, In a society where hip-hop is often portrayed as a violent, undisciplined counterculture, RHPM deconstructs popular perception of this medium, expanding and challenging the boundaries and definitions of hip-hop in general.As hip-hop continues to be chosen as the modern generation’s medium of expression, RHPM works to honor its history, explore its ideas, and further its contributions to the surrounding community. (RHPM. org) The notion that this art form is being preser ved is having a huge impact on the dance world. Harris has won numerous awards including, but not limited to, three Bessie Awards, a Herb Alpert Award, and an Alvin Ailey Award. These prestigious honors are just a few recognitions of Harris and RPHM’s impact on the community.Along with choreography, classes, and performances RHPM also offers lectures and demonstrations created with a â€Å"vision for sharing an appreciation for diversity and is dedicated to preserving and disseminating hip-hop culture† (RHPM. org). Harris is also very involved in education. Taking dance to new level in the classroom. Focusing mainly on education systems in New Jersey, Florida, California, New York, and of course, Pennsylvania, Harris provides lecture/demonstrations and zestful way to grasp the attention of students. One of their most popular lecture. demonstrations is entitled â€Å"History of Hip-hop. An interesting lesson that comes along with this is the lesson of theatre etiquette , teachers are sent an informative packet illustration the rules and proper behavior in a theatre to hare with their students. Phrases like â€Å"The performers on stage show respect for their art form and for the audience by doing their very best work. The audience shows respect for the performers by watching attentively† (CueSheet 4) This is passing along the enjoyment of art and proper manners to students even if they are not physically dancing. This creates a very educational experience for the students.The work that has been done by Rennie Harris is admirable to say the least. Dedication and passion like his are unmatched in other hip-hop choreographers of our time. This is a genre that is only going to continue to grow and become more popular, and thankfully there are groups like RHPM to continue to educate people on the unique artistic values of the hip-hop dance style. From encouraging people in the community to stay fit to taking urban street performers and turning t hem into refined performers of the fine art of dance, Rennie Harris has truly impacted not only the hip-hop community, but the dance community, as well.Works Cited Fellow, Rose. â€Å"Rennie Harris – Profile – United States Artists – Great Art Forms Here. † United States Artists – Great Art Forms Here – Artist Fundraising & Advocacy. 2007. Web. 26 Apr. 2011. . Rennie Harris Puremovement. â€Å"Rennie Harris Puremovement: History of Hip-hop. † Letter to Teachers: Wells Fargo Schools. 10 Oct. 2003. MS. â€Å"Rennie Harris Puremovement. † Stanford Lively Arts. Web. 26 Apr. 2011. . RHPM – Rennie Harris Puremovement. 2011. Web. 26 Apr. 2011. .